“The Stabbed Dove and the Water Jet” by Apollinaire: Drawing and Words

April 27 is International Painting Day, and it is dedicated to this art form as ancient as it is expressive, which has crossed time and space, and is constantly evolving. To celebrate design and the role it plays in human history and culture, today we want to share with you the innovative work of Guillaume Apollinaire, who was able to combine design and poetry to reach new communicative goals. So we suggest one of the “author’s drawings”, real talk drawings. Here, specifically, “the stabbed dove and the water jet” in French: “La colombe poignardée et le jet d’eau.”

La colombe poignardée et le jet d’eau

A new form of communication

Apollinaire managed through his “line art” to create a kind of “game on paper” by combining drawing and poetry, in a mutual exchange between the meanings of reproduced forms and composed verses that make the pages full of multilingualism.

In particular, the theme “La colombe poignardée et le jet d’eau” has a drawing divided into three parts, connected to each other by a central axis. A dove appears to be hovering on a jet of water flowing from the fountain basin. Looking at the line in this way, the movement we appreciate is of an upward character, as evidenced by verses such as: “jaillissent vs le firmament.”

However, observing the page carefully and reading the words included in the drawing, we realize that a completely opposite interpretation is possible: the dove falls to the ground, wet from a desperate cry emanating from an open eye, as if it were. blocked.

Then we understand, even on our way through the lexicon used to compose the drawing, that this is a poem praising peace but it was written to remember all the pain he suffered during the war, and to celebrate all the lovers and friends who lived in Apollinaire lost to the conflict.

Page is among the best and most successful examples of the “line art” of Apollinaire, who flicked off the technique of the so-called “pictorial poems” composed by Theocritus and Simias de Rhodes into a pure play. Police Macedonian to reach very high new communication technologies.

Apollinaire clouds

Guglielmo Alberto Vladimiro Alessandro Apollinari de Kostrowitzki, better known by the pen name Guillaume Apollinaire, was born in Rome in 1880. His mother is a Polish noblewoman who has lived in Rome for years. The father, who decides not to recognize the child, is an official from the canton of Grisons.

Guillaume Apollinaire’s childhood and adolescence were marked by the constant travels of his mother, who moved from Monaco to Cannes, and from Cannes to Nice, before finally reaching Paris in 1899. In this context of frequent and sudden changes, the young man cultivates, in parallel with his studies, a passion In literature and writing, he approaches avant-garde movements and intellectuals, including Giuseppe Angaretti, Max Jacob, and Pablo Picasso.

Apollinaire travels all over Europe, thirsting for culture and knowledge, and in order to earn something, he accepts transient and middle-ranking jobs, until he gets a job in the Rhineland, where he is appointed as a teacher. In the noble mansion where he works, Apollinaire meets Annie, a young housekeeper of British descent with whom the artist falls madly in love. However, Annie is horrified by the man’s fierce looks and the fervor of his statements. From the failed relationship with this woman, the famous “Chanson du Mal-aimé” was born.

Returning to Paris, Guillaume Apollinaire began to frequent literary and artistic circles, and in 1903 he founded the magazine “Le Festival d’Europe”. Life flows calmly and gently, between cafes, workshops and meetings with artists who are looking for a new way to express themselves and communicate. In this period of lightness, Apollinaire met Marie Lorencin, the painter with whom the man would establish a long relationship. Meanwhile, in 1913, “Alcools” was published, the author’s first shocking collection of poetry, intended to make a lot of noise and question readers about new forms and new poetic themes.

At the outbreak of World War I, Apollinaire volunteered to go to the front. The following year he returned to Paris with a head injury, and his inspiration wrote “Les Mamelles de Tirésias,” a drama with a surreal flavour. A few years later, in 1918, the poet conceived and published the “Calligrammes”, an interesting and innovative collection that instantly dazzled contemporaries. Guillaume Apollinaire died shortly thereafter, on November 9, 2018, from the Spanish flu.

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