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Who is Anita and why do we talk about her so often

One day in March, Anita woke up to the after-party effects the night before and discovered that she had become the number one artist in the world. for him Envolver It was actually at the top of the Spotify chart, a historical and unique fact of a Brazilian solo artist.

“The cell phone has gone crazy,” she recalls excitedly on the Zoom call from Rio. “Everyone wrote about it, talked about it on TV, and the news was all over it. The whole nation, like, stopped. She had to stay focused: rehearsals on Coachella awaited her, where she would once again make history as the first Brazilian female artist to perform on the main stage, and the release of the album. Publications about me.

It took three years and more to fine-tune the trilingual synthesis of the sounds of the world, the album, which is as bold and playful as Anitta herself. passing by sweetness girl from riowhere very classic is used girl from Ipanemato electro pop Boys do not Cry Born of love panic! At the disco, even gta Playing with classic reggaeton Yo Tengu Ona GataA little papton and a bit of Brazilian funk.

The choice of Khaled, Sweety and Mike Towers reflects the singer’s endless musical taste. “I love mixing cultures,” Anita explains, “I think it’s important, it pushes people to learn different worlds, new things.” She hardly remembers holding back her tears when she was in the studio with Khaled and explains that the proceeds from that Q Rapaowith Mr. Katra, will go to the family of the Brazilian artist who passed away in 2018.

Publications about me Represents a big step forward from Anitta 2019 album kisses. This record ended up at number four on the Latin pop chart painting And he received a nomination for “Latin Grammy”. The singer recalls the arduous journey she took to prove she deserves something, her personal quest after the Brazilian funk scene boomed in the early 2000s. at kisses There was Becky G, Ludmila, Snoop Dogg and the legendary Caetano Veloso, but if it came to light it was thanks to the singer’s willpower and months of hard work. “I wasn’t under contract with an international company, management didn’t follow me, and I didn’t have anything,” she recalls. “This album was my way of telling people in the industry: Hey, I’m able to do these things here, can we work together? Do you believe in my dream and my future?”

It succeeded and made Anitta one of the great pop stars in the Latin world. The next goal is to conquer the rest of the world with the self-portrait he presented Publications about me. “I have different personalities,” he laughs. “My friends say that after waking up they wait a quarter of an hour to find out who I am that day, be it sexy, romantic or athletic. The same goes for music ».

The recorded songs are inspired by his adventures – or perhaps it would be better to say adventures – in the areas of love and sex (currently he has an open relationship with an American football player who wants to remain anonymous: “He can do whatever he wants, well, it’s beautiful like that” Each time she was in the studio she put her thoughts and experiences into the songs.” “I like to write what’s on my mind at the moment, and I’m a person who changes my friends more than underwear. I fall in love easily and forget them just as quickly. I arrive in a city, fall in love and put it into one piece. And maybe next week I’ll write about how well I’ve come out with the world.”

One of the most sexually explicit moments on the recording is the hilarious best sex. Anita smiles when she talks about it. “There really is me in that piece. I don’t have time for nonsense. I don’t have time for relationships that don’t give me the best. The song says in a funny way that I would rather have sex than fight or waste time.

Anita’s music reflects her extroverted and unfiltered personality, traits that made her so popular in Brazil that fans asked her to run for president. Besides the fact that she wouldn’t be old enough to run for office, during the pandemic, Anita has immersed herself in the politics of her country, hosting political workshops on Instagram, and speaking out against Jair Bolsonaro. He likes to push fans to make a difference. I will campaign for the youngest of them to register to vote. Only then can we take power from that damned boss. We don’t deserve this nonsense.

Anitta doesn’t say words and that’s one of the reasons why she does Publications about me Very edited. “The album made me think only of myself. I hate creating expectations, and I’m afraid things won’t go as I expect, so I don’t think about it at all. I love recording and that’s enough for me. You don’t need others to like it either.

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Carlo Conte wants the band to compose live music. The best years will come back

TV season Carlo Conte Connect with a new adventure titled the band. From these columns we talked about first and now we talk about them a few hours after their broadcast with their leader and creator Carlo Conte. With the Tuscan presenter we will also talk about the upcoming TV season, among the new version of Such and such a show of music awards A welcome return.

An old song said, What will The Band be?

It will be a chance to make live music. It wants to be a means of stimulating the desire of many girls and many boys to play and sing and above all to do it together, now that it is possible to do so after the epidemic that has hit us and that has removed the possibility. of many to be able to perform in public.

How was this program born?

Like I said, I was born out of wanting to get back into the live music industry together. It will be a talent in which nothing is profitable, only the taste of music will matter. It is no coincidence that we wanted to do it not from a television studio, but from a theater or Verde of Montecatini Terme. We have a wonderful jury and eight great teachers, and I sincerely thank them for accepting our invitation.

How will the mechanism of the first episode we watch tonight?

The first episode will have a special mechanism, in fact we will see 16 bands in groups of two and each teacher will have to choose one of the two bands, of course after listening to them, in the first group only the three jurors will vote. Then for the other episodes, the voting system is as follows: the teachers will vote in an open way, while the three-juror vote is secret, meaning that we will only find out at the end, when we will show the order by adding the votes of the teachers, the votes of the jurors, at this point we will have Final arrangement of the episode.

Old music and lasting love for Carlo Conte

I was born as a disc jockey in private radios, so it’s a love, a passion I’ve always carried with me. Music is something I know well, and it’s only natural that you’re the protagonist of my shows, especially in this one that doesn’t come from a format, but from an idea of ​​my own and my own cast.

How do you see TV entertainment in this period?

It’s not easy to do even today, because we’re a little bit out of the terrible period of the pandemic. Actually we are not out of it yet, because there are still many cases and this requires us to use masks for example as the audience at Verdi Theater will do during our programme. Then there is also the very sensitive international situation resulting from the conflict in Ukraine, we will try to do our job as best we can, which is to entertain and entertain our audience as much as possible.

What will be the future of Carlo Conte?

There will be David di Donatello that I will present with Drusilla Foer, then on June 2 an evening from the Arena of Verona dedicated to Lucio Dalla (broadcast Friday 3, editor) and on June 10 we finish the show that we do every year from Assisi with a heart. I will be presenting the Music Awards once again with Vanessa Incontrada, now my historic partner for the Verona Arena music event in September, thus opening the next TV entertainment season on Rai1.

Autumn, it’s time for a story, and what does the upcoming news of the new series show?

The winning team doesn’t change and said it’s never been more appropriate to talk about the latest version of Tale and what the show is. We’ve cracked the 20% wall of our cut, which is pure gold these days. Then I will deal with the construction of the crew of the new release between June and July, after I have finished all my commitments, the last of which, as I told you, is the evening of Assisi.

Will it come back like this and which one?

Last year’s edition went very well, with good reviews on a very tough evening like Saturday with mail for you on Canale 5, so I hope we can do it again.

Many ask us about the best years, is there a will for his return, and if so, when?

Was in this year’s ballot with the band, after that only 4 episodes are available, now they are 5 episodes as I expected, we decided to do this new talent, specifically for the desire to experiment. best years However I think he could come back next year. It’s a program that needs some time between one version and another, otherwise it risks repeating itself and I think enough time has passed now since the last version we made.

In Carlo Conte’s TV repertoire there’s also La corrida and the top ten. Does Carlo Conte like to experiment more or play it safe with products already played?

I like to do both, as you can see. You mentioned bullfighting and the top 10, yes, two very strong shows, but as I’m telling you next season, it’s easier to bring back the best years.

There’s a format that we love and that we love because we’re sure it will still work so much that you have your hand as an author, along with your team, now or ever, will it come back?

They asked director Coletta at a press conference and he replied that it was a ready-to-use format at the first opportunity. Amadeus should also be asked if he wants to do it again. When some programs go well with a host, it becomes difficult to replace them, because they are properly associated with that character.

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Tonight April 22 there is “The Band”, Rai Uno’s music turning point

For the column we see on TV, we’re reporting tonight April 22nd at Rai Uno at 9.20pm “the band”. Follow the press conference for the presentation. That’s what it is.

A garage, but a basement can also be used, to be soundproof (is the egg carton still there?). Guitar, drums, bass and microphone for sound. The dream: to become a rock band. or even not. Can. In the end, the important thing is to play. for passion. To be with the music by her side. At that point even age doesn’t matter. In fact, it’s exactly the old gadget to look for on the Internet, or the latest generation of keyboard, the tube subwoofer that doesn’t betray you when you’re on stage that keeps you, in case, you’re still young.
The new Rai Uno program that will build on these core components that cross continents, countries and generations Carlo Conte To deliver prime time on Friday, April 22, from the legendary stage Verdi Theater in Montecatini Terme. Four more episodes… The fifth episode in Mandela Forum in Florence Full of people to give well-deserved applause to the eight teams that will give life, to the voices of the covers, to this Rai brand talent in collaboration with Palomar. Also because, in the end, the winner won’t win anything other than a trophy with a gold plaque with “Squad of the Year 2022” written on it.
Yesterday’s press conference revealed all the details of a project that has been going on for three years. Manskin effectSo, it has nothing to do with it, it has been emphasized, to the point that there is a coordination of all of them in the pipeline at the moment top secret.
More than two thousand strictly unprofessional groups sent their nominations to Rai. Hence the skimming that led to the 16 teams that will compete on Friday from which the eight finalists will emerge and will be assigned high quality teachers.
Carlo Conte said: “We chose the teams that qualified for the finals – according to criteria that responded not only to ability to play; in fact, some of the excluded were worthy of appearing on stage in this sense, but we also looked for stories, characteristics and musical genres that they could give us.”
Indeed, the eight remaining to compete for the Platonic title will be able to count on the direct and certainly satisfactory contact of two exceptional teachers, one each: Jose Ferreri, Irene Grande, Dulcinera, Federico Zampaglione, Marco Masini, Francesco Sarsena, Rocco Tanica and Enrico Negoti.
It does not end here. For the eight teachers who will have the right to vote, there are three excellent jurors: Gianna Nannini, Asia Argento and Carlo VerdoneMoreover, at yesterday’s press conference.
“They have to break, I’m going to want this from them – patriotic Gianna said -. I don’t feel like a judge but a columnist who can give constructive criticism to these bands. I want to enter their past, listen to their voice like a doctor does, and hear everything.”
“Personally I will look for the vital force of each band – explains Asia Argento – Rock is this. For the rest, I am simply happy to live this experience with Gianna and Carla. I enjoy so much, in the literal sense of the term, to disagree: go elsewhere.”
“I took a very happy vacation after I found out what it was – explained Carlo Verdone – and the new path Rai Uno intends to take with this program. After all, my love for music is backed by hundreds of records and CDs, and I know the evolution of rock and soul. From the bands, I will research Above all about the originality, the personality of the singer, the quality of the formats, which is definitely important because they are songs about songs that could also be from the sixties and that have to live up to the current taste. So I will evaluate the spirit, the character and the originality.” Carlo Conte stated that the program could not ignore the proposal of covers that could expand the audience without forgetting those traditionally fond of proposals for Rai Uno shows and their format. On the other hand, he made it clear that in the last episode each band will suggest an unreleased song that will be able to draw on the precious teachings of teachers.
“This is my last entertainment program for Raiuno but the first, and I hope in a long line, for the new position at Rai Entertainment – Stefano Coletta in turn said -. The band is a source of pride that Raiuno has rejuvenated. We’ve scored significant numbers in the 15-24 age groups. And 24-34, male and female alike, the band is going in the right direction. Let’s change cards and the rock jump we’re making is beautiful. Public service needs it. Some time ago a cardiologist, at the end of my visit, told me he was playing in a band and invited me to go And listen. He’s definitely not the only person with a profession that’s not a musician but a passion for music that’s still alive. Do you have an idea how many bands play in our cities, in our villages, in clubs, in dance halls? Each of these has its own story to tell, and why He tells why; they have roots and ancestry among the most disparate nations of our country and with the band they will teach and share.”
“The goal – concluded Carlo Conte – is to bring family members of all ages together in front of the television.”
A new challenge for him, too.

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Sano e Altea, a therapy session with the latest Italian pop music

When the name Thru Collected last summer began to appear more compellingly in the Italian musical bush, we immediately knew we had encountered something new. First Editions, Videos, Poster Collective Disc, UnfamiliarWe convinced everything. That’s why we interviewed them last October, and highlighted them among the best Italian recordings and videos of 2021, with Alice, a label member, listed as the Promise of the Year on our class for 2022. To surprise us again, however, here they are starting the new year with the upcoming release , just one week later, from the group’s first two solo EPs: Industry, Pop, Camera, Sex by Sano e do not forget me from Altea.

Sano, 21 years old, from Naples and Altea, 23 years old, from the province of Lecce, two names we got to know in Unfamiliar Which we expected a slightly denser output to understand its technical significance. Spoiler: They kept their promises. EPs emerge from the same artistic magma, recycling inspiration and Thru Collected production, but despite these connections, they explore two similar, but at the same time, particularly different worlds of sounds. On the one hand, Sano’s avant-garde pop, ADHD music, a mixture of chewed, spit, and disjointed genres as the lyrics, and on the other hand, the aesthetics of Altea’s sound that finds a home in a rare setting allude to certain audio material from the English school .

To tell us about their private outings, we took them to a couple’s therapy video session between Milan, Rome and Naples, and found ourselves in a natural complicity that overcame the technical difficulties of a call spread across several cities.

Let’s start the session: How did you meet?
Altea: In my house, in Naples, as soon as I moved. I have lived with some guys who made videos for UANM group of which Ricardo is (The .’s real name correct, n.d.). So I found it at home, we made videos and took pictures. We met like this.

When was the first time you heard each other’s music?
Altea: On that occasion, while we were shooting those videos.
correct: When Altea started composing music with Reiner, one of the producers of Thru Collected. It was there that I first dealt with his talent.

And what was the first impression?
Altea: I did not understand their music! I had never heard this kind of music before moving to Naples.
correct: I was impressed with the voice and the situation, but I was sorry that he sang in English at the time. I wanted to hear her sing in Italian because I knew she was going to break, as she later proved.

The first song you wrote and recorded together?
correct: In my opinion it was a series of neglected songs!
Altea: But you were there in mullet (one of the songs Discomoneta, nda)?
correct: yes!
Altea: so it was mullet Because it’s the first song I wrote in Italian among other people and not alone in the bedroom. This was my first time with Thru Collected and I got hold of this part which is now, in various forms, mullet.

What does this mean for your first EP?
Altea: It is an achievement. I have always wanted to make music and be within a broad musical and artistic environment. As long as I was in Puglia, my life was completely different, but when I arrived in Naples, everything changed. Making this EP in which I was able to do whatever I wanted and felt, despite everything.
correct: I found myself in my little room, with my equipment, needing things to say, do, and produce. Up to that point I had never produced. I wanted the first version to be done in my name by me with the few possibilities at my disposal, in order to represent, for better or for worse, and in the bedroom, who I am now. It is a gesture of liberation.

What inspiration did you start with?
Altea: people around us. I am a scientist, an intimate and personal world that constantly inspires me
correct: TRUE! I agree.

So I wonder, what are you collecting through?
correct: Thru Collected is an iridescent figure that is constantly moving and changing, maintaining the spirit of friendship, harmony and mutual stimuli we generate between us to create things. Even these individual editions, to me, are mass releases. It is a label, a group, a group, with strong personalities.
Altea: you are right.

In your opinion, is there anything else connecting these EPs besides what has been collected?
Altea: a significant change, a turning point, whether positive or negative. It is to punish the point.
correct: They certainly share the exact historical period in which they wrote. It is known that in both, there is an urgent necessity to say things to someone or to society.

What do you like most about the other person’s work?
correct: I go crazy when Altea attacks on the chops, I really do have a fetish! It always surprises you, it’s magic. She also has an incredible voice and the whole atmosphere that Rainer, Giovanni Troccoli and Riccardo Sergio created around her is, in my opinion, perfect.
Altea: For me the fact that Sano always dismounts. He always has an ace up his sleeve. It goes straight to the point with the simplicity of disarming. This EP is like that; He says a lot of things about himself and others and says it to his face.

What did you think or feel when you first heard about each other’s EP?
Altea: I remember it well. It was morning, and usually when I wake up I don’t want to listen to anything and be at peace. But that morning, Ricardo sent me his EP and I had to listen to it totally and forever. I cannot miss a word of what he said; It was something very important. It then occurred to me two more times that when I listened to listen, I couldn’t do anything else, it froze me.
correct: On the other hand, I’ve seen the Altea EP be born and grow in the studio from the start and have very clear memories of all the steps that led up to that record. I’ve lived like this, a lot from the inside.

Is there anything you learned from the other?
correct: Many things.
Altea: Yes, but it’s like asking someone for a word, it’s complicated. His presence, his movements, the way he talks, thinks, relate to other people. There is always something to learn, be it technical or human. We especially help each other a lot with harmony and sounds. We give some other tips.
correct: very right.

https://www.youtube.com/watch?v=kpfDlx5Gelc

Let’s move on to a defining moment in this session: What did you learn about yourself while writing these pieces?
correct: I’ve learned that songs gain value when you actually have something to say and are able to attach it to images, concepts, words, and names that are able to bring together something personal beyond what the listener encounters. This pushes you to produce in an honest and natural way.
Altea: I realized I couldn’t lie and learned that I had to be honest while writing. I don’t care to pretend or be something else. Writing is therapeutic.

The titles of the discs contain their images. So can you tell me how it got to you?
Altea: Ricardo, I’ve also wondered what it means to you.
correct: At a certain point I realized that this first product could have reached a slightly larger audience than the one I’ve always had. And I thought to myself: Why stick to the standards? So I wanted to translate my dystopian and destructive notion of pop and mainstream as much as possible. Hence the embarrassing, challenging words and the word-filled title to make you instantly understand how important the words are to this record. However, the titles were picked at 5 AM just before the discs were released!
Altea: We have projects with other addresses on the computer! It came to my mind because “Don’t forget me” is a flower I loved so much as a child and this phrase Don’t forget me, don’t forget me, repeats, I loved so much.
correctkisa: In fact, it rocks pretty well!
Altea: Thanks!

These (EPs) are multifaceted, as they say a lot, but in a very short period of time. In fact, neither of them had arrived in a quarter of an hour. We understand that Thru Collected does not want to respect industry-typical rules and standards, and so I ask you, what is your way of understanding music and publications?
correct: It’s a very spontaneous thing. Everything that surrounds us is very fast and attention to things is, in 2022, very short: a story that lasts 15 seconds and watches computers, TV and phone at the same time. Having the freedom to experiment and find our own dimension, we represent what we live in this historical, cultural and social context. Sudden changes in which ten thousand things happen in twelve minutes and all are accompanied by a constant call to the attention of the listener, as well as to ourselves and our production processes.
Altea: We are very bored people. We get bored with the music we listen to, and therefore we push ourselves to find new solutions. This is the fulcrum of our work together. Everything is new, everything is constantly changing. We do things because we are good together, because it goes there.

Session time is over, so I ask you one last question: to connect EPs, there is also a short film. How was the idea of ​​the shared narrative path born?
AlteaOur business was so close that it seemed natural to put them together and bring out more reality (and imagination) for what we were experiencing. It also shows a little “everything collected through the video, as it should be.

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May 1st rock festival Traversetolo events in Parma

Rock returns to the streets of Traversetolo with the traditional concert on May 1, Labor Day. Two stages and eight bands, nearly nine hours of music, with concerts from 3 to 11:30 p.m., in honor of the great artist Fabrizio de Andre. In the main stage on Place V. Veneto bands from the local area will mingle with different genres – pop, folklore, blues, hard rock – while De Andrè songs will cheer up the afternoon at Fanfulla but there will be not only music. As always, on the streets of the center there will be refreshment points with the famous “sausage sandwich” and with the craft breweries of Articioc and Oldo. And there will be an impulse and inevitable market to be chosen with creators and artisans by Magic Market.

The event, sponsored by the Municipality of Traversetolo, is organized by Pro loco Traversetolo in cooperation with the municipal administration and with the contribution of Magic Market. Sponsors are All Glass, Conad Traversetolo, Emiliana conglomerati, and Prosciutteria Trascinelli.
The artistic direction is Lorenzo Cavazzini, who comes from the experience of the now-defunct Puerto Libre Club, which has organized the concert since 1996 and for 18 years, and Ugo Catabiani, former president of the Rigoletto Records Association.

Mayor Simon Dal Orto, Associations Counsellor Alicia Zeffiri, Technical Director Lorenzo Cavazzini and local Pro loco representatives participate in the event presentation press conference on Thursday, April 21, 2022 in the council chamber of Agreste Court. After the forced hiatus due to the Covid-19 pandemic and the return of the “old” artistic direction, for the launch of the 2022 edition, the organizers thought of a “back to the origins” message: in fact, there are active teams in the years that will perform in the 90/2000 years such as Marasma, Jacknifed Juggernaut and Bouganville.

Mayor Simone Dal Orto is satisfied: “Let’s start again from this 24th edition. When he took office in 2016, we followed the festival that was born with the Puerto Libre Club and took on a challenge that was not easy. We have been fortunate enough to always sponsor local businesses, which I extend my sincere thanks to her, as well as to all who participated in
This new adventure.

“We saw a proposal born from a group of people who are already experts in the field, a complete proposal that has been thought out in every detail, and which was immediately welcomed by the Pro loco. As administrators, we are satisfied with this synergy, the enthusiasm that infects everyone. Sad affected by the war, we are happy to witness this moment of understanding,
“Mutual respect and harmony,” Commissioner Alicia Zephyri added.

Lorenzo Cavazzini, the former organizer of the concert for years, does not hide his emotions: “The aim of the event has always been to give local bands the opportunity to perform on important and well-equipped stages in front of many people. 500 bands passed on stage, they were given a great view. We chose to claim “Back To Origins “because we’re actually bringing local bands back to the stage with original songs and bands from the ’90s and 2000s.”

Emanuela Pampianchi, Vice President of Pro loco, and Carlotta Rosati, Secretary, share the enthusiasm: “The concert, it will be the first major event after the pandemic, we are very excited. It is a great start that will be followed by initiatives in the future. Even merchants are happy with that.”

Program and bands
From 3 pm in Piazza V. Veneto (in front of the Town Hall)
Academy Troupe – A band of young people chosen from among the students of the Academy of Nicola Dinte and Lilio Padovani
THE LAWYERS – A band formed recently based on the idea of ​​Emmanuel Mordacci, a young guitarist
JACKNIFED JUGGERNAUT – rock/new wave band, very active in the 2000s, returning to Traversetolo stage with all their compositional skills
EXPERIENCE BLUES – A band of professional musicians, capable of amazing improvisation: Max Lugli, the great master of harmonica, also played the record of Ligabue Happy Birthday Elvis. Lorenzo Zampini, “Mr. Zamp”, guitar, young offspring from lower Parma, singer and slider of passion already noticed by Little Bull Venturi. Oscar Abele, on the scene for half a century,
An intense and creative drummer, extended tours in the US and Europe, he played with international artists and with Lucio Dalla.
THE GUSTIBLUES – A band for all blues lovers, in a unique performance
SNEI AP – The all-female alternative rock band, which has been in business for ten years with killer guitars and lyrical tunes, will present their latest single “Journey”
Bougainville – Members come from historical Parma bands such as Dogana and The June and have been part of the musical history of the past 30 years in Parma. Electric folk rocks fell at different latitudes for this combo of Parma veterans, between the West Coast, the steel, and the psychedelic
MARASMA – Between alternative rock/pop/psychedelic and progressive, a journalist in the 1990s identified their genre as “Mediterranean rock”. After 15 years of arrest, Traversetoli’s Marasma band, very popular from the 90s until their dissolution at the beginning of 2000, will bring some of their most important hits

From 16 in Fanfulla . Square
SCHIAVO CANTA DE ANDRE’ – An experienced guitarist, Giorgio Schiavo has started a high-level semi-acoustic music track in recent years; The similarity of the voice to that of Fabrizio de Andre is impressive. In the late afternoon on the main stage between one band and another live exhibition of percussion house music

From 3 pm at No Name Bar, music entertainment with Amedeo Musso

During the event, there will be media inputs about the artists and interviews with the guests, edited by associations advisor Alicia Zephyri.

Guests will be:
Martin Iwty – Professional Musician and Founder of Kayman Records
Pierangelo Pettenati – journalist and music worker
Roberto Perotti – photographer and musician
Alex Uchile – President of the Blue Cross at Traversetolo
A nurse will share her experience

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Rockstar testimonials most likely to advertise

by Erin Nolli

also in Italia We’re used to recognizing famous faces on commercial slots, actors, and comedians above all, but rock artists and songwriters are seldom related. It would be strange to see Russian Vasco or Piero Bello Shepherd’s cheese or Francesco de Gregory Promoting jeans and perfume brands… well, that equivalent happens a lot in England and America!

Buttered bread by Johnny Rotten of the Sex Pistols

From a few years John Lydonlong ago turned into a comfortable bourgeois life after writing a history punk, by the well-known English butter brand “Country Life”. The ad is very ridiculous as well as the bright colors of the necktie and weed he is wearing match the many eyelets. On the other hand, millions of children have grown up with him trusting his word to choose such an important product for the British breakfast.

That sweetheart Ozzy Osbourne

It was once also a testament to the butter that promised to make “fairy cakes”. However, the most authentic matter is the launch Teddy bear To celebrate the incident he (involuntarily, we now know) gave to A paddle In the 1982. The announcement read: “Today marks the 37th anniversary since I bit the head of a silly bat! Celebrate with this commemorative plush from detachable head“.

Rolling Stones… 32 bits

When Microsoft launched on the market Windows 95 The marketing efforts were enormous. here you are Bill Gates So we appeal to the greatest rock band in existence for instant resonance for a captivating and dynamic hit. “start me” Using the start button on your PC. It seems to give up the song Jagger and dismissed his people Between 6 and 14 million dollars… who knows how much they got from a famous house in cereal In the 1964 To sing the famous Rice Krispies song?

Bob Dylan’s underwear

In the 2004 The vocalist and the future Nobel It shocked millions of fans when they decided to sponsor the Brazilian supermodel Adriana LimaL’intimate For a famous brand all over the world. I winked with two angel wings, and sang in his icy style lovesickfrom the album Time to get out of mind (1977); in the background Venice. All are high glossy.

“Swing” Alice Cooper

Alice Cooper He didn’t retire but decided to devote a lot of time to it golf, so much so that Callaway brand chose it as a permanent endorsement and later linked it to the sport as well to sponsor the Apple Watch! After all, Hard Rock chose golf for several years A weapon to defeat addiction I also gave him a book, The Golf Monster: My 12 Steps to Becoming a Golf Addict.

Water… a kiss!

In the 2006 The band launched ahis cologne And to describe it as “the best I’ve ever smelled”, “a spray of liquefied virginity” etc… Metaphorically, Jane Simmons They produced their treasures by mixing fir, bergamot, balsam, black cumin, white pepper, musk, sandalwood and anise: the vision on the page is true. store From their official website!

Neil Young Trains

Despite being one of the most important songwriters on the planet, the greats small He is also known for leading a simple and real life. Between music and taking care of his farm, he always found time for another passion: collecting and modifying railway modelComing to cooperate with a company in this sector, Lionel trains. With them, he created a remote control device for the disabled to make it easier to drive small vehicles and an audio device designed to reproduce the sounds of trains in a realistic way. Then, when the plant was in danger of collapsing, he did more, personally intervening as a lender and witness to save it.

Iggy Pop Yatooq Car Insurance

In a fun commercial for Swiftcover Car Insurance, the wild company AG transformed to Sales Representative before the eyes of the spectators. The Godfather of Punk Starring in a Commercial for insurance: It’s such a contradiction that it’s somehow… extreme!

Kanpai, David Bowie

One last gem you wouldn’t expect: in 1980 The white duke sponsored by an interest for the Japanese market. At that time, many Western music and film stars presented themselves for these operations far East, knowing that they would never be exposed at home. Well, YouTube access has caught all the cards, even after several years. However, the elegance boy In an advertisement that resembles a short experimental movie, and perhaps many will remember the protagonist lost in translation.

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The rock concert returns on May 1st.

Rock returns to the streets of Traversetolo with the traditional concert on May 1, Labor Day.

Two stages and eight bands, nearly nine hours of music, with concerts from 3 to 11:30 p.m., in honor of the great artist Fabrizio de Andre. In the main stage on Place V. Veneto bands from the local area will mingle with different genres – pop, folklore, blues, hard rock – while De Andrè songs will cheer up the afternoon at Fanfulla but there will be not only music. As always, on the streets of the center there will be refreshment points with the famous “sausage sandwich” and with craft breweries Articioc And Old.

And there will be an inevitable impulse market chosen by creators and artisans by Magic Market.

event sponsored by Municipality of Traversitolfrom the organization Pro loco Traversetolo In cooperation with the municipal administration and the contribution of Magic Market. Shepherds are All Glass, Conad Traversetolo, Emiliana conglomerati, Prosciutteria Trascinelli.

artistic direction is Lorenzo Cavazziniwhich comes from the now degenerate circuit experiment Puerto Libre،, who has organized the party since 1996 for 18 years, and Ugo Katabianiformer president of the Songwriters Association Rigoletto Chronicles.

Mayor Simon participated in the press conference to present the event on Thursday, April 21, 2022 in the Council Chamber of Agreste Court from the gardenadviser to the associations of Alicia ZephyrTechnical Director Lorenzo CavazziniAnd Pro loco . representatives Sweetened.

After the forced hiatus due to the Covid-19 pandemic and the return of the “old” artistic direction, the organizers thought about the message for the launch of the 2022 edition. “Back to Origins”: In fact, active bands of the ’90s/2000s like Marasma, Jacknifed Juggernaut, and Bouganville would perform.

Convince Mayor Simon from the garden: “Let’s start again from this 24th edition. When he took office in 2016, we followed the festival that was born with the Puerto Libre Club and took on a challenge that was not easy. We have been lucky because we always sponsor local businesses, to which I extend my sincere thanks, as well as to all the committed this new adventure.

“We saw a proposal born from a group of people who are already experts in the field, a complete proposal that has been thought out in every detail, and which was immediately welcomed by the Pro loco. As administrators, we are satisfied with this synergy, the enthusiasm that infects everyone. Unfortunately affected by the war, we are glad to witness this moment of understanding, mutual respect and harmony.”Commissioner Alicia added Zephyr

Lorenzo Cavazzinithe party organizer for years, does not hide his emotions: The aim of the event has always been to give the local teams the opportunity to perform on important and well-equipped stages in front of many people. 500 troupes passed on stage, and they were given a great view. We chose the claim “Back to the Origins” because we’re actually bringing local bands back to the stage with original songs and bands from the ’90s and 2000s.”

Emanuela BambiankiVice President of Pro loco and Carlota the flowerSecretary, joined the enthusiasm: “The concert will be the first major event after the pandemic, we are very excited. It is a great start that will be followed by initiatives in the future. Even the merchants are happy with that.”.

Program and bands

From 3 pm in Piazza V. Veneto (in front of the Town Hall)

Academy Troupe – A group of young people chosen from the students of the Academy of Nicola Dinte and Lilio Padovani

THE LAWYERS – A band formed recently based on the idea of ​​Emmanuel Mordacci, a young guitarist

JACKNIFED JUGGERNAUT – rock/new wave band, very active in the 2000s, returning to Traversetolo stage with all their compositional skills

BLUES EXPERIENCE – A band of professional musicians, capable of incredible improvisation: Max Lugley, the great master of harmonica, has also played the disc happy birthday facebook by Ligabue. Lorenzo Zampini, “Mr. Zamp”, guitar, young offspring from lower Parma, singer and slider of passion already noticed by Little Bull Venturi. Oscar Abelli, on the scene for half a century, intense and creative drummer, long tours in the US and Europe, has played with international artists and with Lucio Dalla.

THE GUSTIBLUES – A band for all blues lovers, in a unique performance

SNEI AP – The all-female alternative rock band, which has been in business for ten years with killer guitars and lyrical tunes, will present their latest single “Journey”

Bougainville – Members come from historical Parma teams such as the customs And June It is part of the musical history of the past 30 years in Parma. Electric folk rocks fell at different latitudes for this combo of Parma veterans, between the West Coast, the steel, and the psychedelic

MARASMA – Between alternative rock/pop/psychedelic and progressive, a journalist in the 1990s identified their genre as “Mediterranean rock”. After 15 years of arrest, Traversetoli’s Marasma band, very popular from the 90s until their dissolution at the beginning of 2000, will bring some of their most important hits

From 16 in Fanfulla . Square

Slave sings de AndreAn experienced guitarist, Giorgio Schiavo has begun a high-profile semi-acoustic music track in recent years; The similarity of the voice to that of Fabrizio de Andre is impressive.

late afternoon On the main stage, between one band and another, a live exhibition of percussion house music

from 15 to me No name bar Musical entertainment with Amedeo Musso

During the event there will be media presentations about the artists and interviews with the guests, edited bySocieties Counsellor Alicia Zephyri.

Guests will be:

Martin Iotti – Professional and Creative Musician Cayman Records

Pierangelo Pettenati – journalist and music worker

Roberto Perotti – photographer and musician

Alex Usheli – President blue cross from Traversetolo

A nurse will share her experience

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The Bengal fire, the emblem of rock and roll

Capable of perfectly blending British rock influences with contemporary and uplifting writing, Bangla Fire is ready to make us hear new music: Jack (Nun Sa) is their new single, released on Friday (April 15), a few days after the first date of their upcoming tour.

Jack, the hero of the song, is emblematic of a form of bewilderment that each of us has probably experienced, sooner or later. Jack’s exasperation is not a happy ending, or a solution, but rather a point you’re beyond need to Something is happening, the point of no return, whether it is positive or black.

Bengala Fire has already shown us, fanning the stage from the latest edition of X Factor with a rock ‘n’ roll performance, that their natural dimension is the immediate dimension and they can’t wait to get back on stage for their 2022 tour which will see them champions at some of the most important clubs in Italy!

These are the first dates of their 2022 tour organized by Kashmir Music:
04/22 Brescia, Molloy Alban
04/24 Rome, Al Muroor Club
04/27 Milan, Tunnel Club
04/30 RONCADE (TV), New Age Club
05/14 Modena, Club Vibra
05/19 Turin, Hiroshima mon amor
05/20 Genoa, Crazy Ball
05/21 Florence, Viper | + Moutonia
05/27 Verona, factory

You recently announced your latest solo jack (Non sa) and the first round will begin in a few days. How are you these days. I think these are very busy days. How do you test it?
Jacques (Nun sa) is our first Italian song. The need to write in our native language was born thanks to Manuel Agnelli who urged us several times to try during our journey at X Factor 2021. We discovered that singing in Italian has an entirely new, attractive and captivating emotional impact on us.
As for the tour, we’re so excited, we can’t wait to get started and are excited to finally experience all of this as a job. Certainly when music becomes serious discourse and not limited to being a weekend pastime, everything becomes more tense, and the arguing between us also increases and cannot be experienced with the lightness we once had when we had nothing to lose. Unfortunately, making music at this level also involves many other bureaucratic and regulatory aspects that are certainly not the fun side of this world. But they’re part of the game and that’s okay.

It seems to me that you approach everything in a very professional and mature way. You, unlike other previous competitors, also took your time before announcing something.
We preferred to calmly evaluate all the offers that were presented to us and take the time to analyze which one was right for us, even though we had a great desire to come up with something.
At the moment we are cooperating with Kashmir Music in regards to organizing the tour, for example, we immediately found a great affinity with them because they are a young team that is growing a lot in the last period. They may not have been the biggest and most important fact in Italy, but we certainly share the passion and the intentions and that was key for us.
Obviously there are concerns as well in these days leading up to the tour, but I think we are positive too, we have to be positive especially because we have been playing together for almost 12 years. What we do we really want to do, otherwise we would have stopped or changed our approach long ago.

It is true that you did not come to the X-Factor stage as a beginner.
We saw x Factor as a great opportunity to introduce ourselves and from this point of view we are also very grateful to the program that we did not encounter any problems or conflicts. We found ourselves in pretty good shape, and actually I’d like to make an appeal because I know that maybe TV shows aren’t being watched well. I say this as someone with a huge bias before doing this program. It’s not stupid stuff, it’s stuff that can be really useful because in the two months of the program we learned a lot, both musically and by getting to know different people or humanely anyway.

In the past three years, The X Factor has definitely changed its look, transforming from a talent show to one for young, experienced artists. At the moment, winning the program is no longer necessary as much as it is necessary to participate and attract attention for as long as possible.
I think the spirit with which you experience that kind of experience and the drive that motivates you is key. To get the most out of it, you need to ask yourself and rely on the advice of people who guide you in trying to absorb and learn as much as possible. We trusted Manuel and Rodrygo when they offered us musical options that we either didn’t know or didn’t appreciate 100%, because if Manuel says “there are no men instead of this thing here, try to do it” or for example in the third episode of the live broadcast, We did a song by AC/DC that we would never have even heard of, it was a challenge for us and their advice opened up a world we had never imagined before. We definitely had a pretty clear idea of ​​what we could do and which sound we liked the most, but we didn’t go there to falter and say “we’re just doing this.” This could have been stupid of us. Now we have a different awareness of what we’re doing and we’ve also improved a lot in what we thought we knew how to do well enough already.
It was definitely a very important thing and a big help for us to make that choice at this very moment of our trip. In my opinion, our age between 24 and 29 has allowed us to face the broadcast with the right means to experience it to the fullest without wasting anything of what was offered to us. Before joining The X Factor, we all had jobs and something to lose if we didn’t try hard enough. A 16-year-old boy might face everything more easily but in the same way he might not have the right foundation to make the most of it.

I ask you a rather naughty question. Do you think that after the level has been raised, you will be able to face decisions, even between the two of you, with the same freshness? Now it’s no longer a game and you have nothing to lose.
More like a bitchy question (laughs). Obviously, when there is a lot at stake, there is more pressure, but you have to be careful to live in peace or else you can do nothing. This was taught by Manuel and Rodrigo who always tried to impart to us the calm way of dealing with things.

On April 22 your tour will start from Brescia and on 9 dates you will touch many regions. Have you ever been in 12 years out of your area?
We have rarely had many concerts over the years, we have had over 100 concerts but most of them are in Veneto; We did some small trips but nothing significant.

What would be the place where you dream of playing?
In Italy, we would definitely like to play in the Assago forum. It’s obviously a dream come true for us to think about performing in the clubs we’ll be visiting on our tour. We want to play as much as we can, and maybe one day go outside. We have always dreamed of reaching mega festivals like Coachella and many more.

Well, sure, after Maneskin’s global success, participating in X Factor Italia makes the dream unattainable.
definitely! We are glad to see Italian men like us who have made this journey so uplifting. We don’t want to think about it even though it could just be a dangerous delusion. Of course meditate but we don’t think about it too much, we just keep our feet on the ground.

As artists, how do you explain this gigantic, almost unimaginable return of rock music on top of the wave and among the genres followed by the very young?
I think this is the natural course of things. It can be compared to fashion in my opinion, meaning that the 80s and 90s are back in fashion as well as the fashion of the 2000s. In recent years, genres like rap and snare have had a huge impact on the music industry. And to be honest, I don’t mind swinging too, if done right. Among young people there have always been fans of rock music, and now she returns even to those who may not have known her before but are beginning to feel the need to listen to something new for them.

Our magazine is called MusicAttitude, What is your musical attitude in your life, How does music enter your life beyond your job?
Interesting question, I tell you the first thing that comes to mind, like when you take a shower with a song that causes you a lot of gas and I also tell you the Knights of Cydonia by Muse song in the shower is something special.
Seriously, I’m very loyal to this term that has probably been amplified of late, which also makes me a tenderness because we’ve been using it for several years now and it’s rock ‘n’ roll. It really made me smile when Team Maneskin won Eurovision and Damiano said ‘Rock n’ Roll never dies’. I looked at him and thought, “This guahda that in one moment says one thing and we beat ourselves up all these years with that term.” Rock ‘n’ roll is not a type of music, it’s just the emotion that listening to music gives you. Rock ‘n’ roll is also that atmosphere you get inside when you listen to techno music that makes you feel good. This is the attitude I want from music. Even a sad song can make you think, “Fuck I can do it.” That to me is the stand of rock music.

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‘Rock’ rumble ‘always in me’: Funweek

A talent that originated in the great “laboratory” of Italian music production, famous from his first steps for giving him a very clear voice and […]

A talent that arose in the great “laboratory” of Italian music production, known from its very first steps for the gift of crystal clear sound and for its numerous concerts in clubs all over Italy: “real” creativity, “versatile”, “perseverance” completely spontaneous, in the direction of professional completion is now realized

We live in a historical period of conflict and fear. here because of “Air of Freedom”, The new song from Julia Greco, It is a eulogy for freedom, as the title of the song itself says. Manufactured and distributed visory swiss The song is already available these days in all digital stores. Julia Maddalena Greco, Nick name Yulia He has always devoted his life to music and art. After her individual delineation, “humanly” Please attach your CV to the letter 2019 under the nickname Maddalena, The young singer says that she spent two years thinking and that the pandemic, after all, helped her gather her thoughts, and come back stronger and more decisive. “Air of Freedom” In short, I was born from a not so simple moment, where everything suddenly took shape and ideas cleared, where it tasted freedom from primordial happiness and the world showed itself as it had become. A Sufi inspiration, drawing the listener into immersion, and reflecting himself in the purity of this young author, without fear of being affected or conditioned, to return to listening to our soul, which is the only true way to reach true freedom. As Yulia assured us personally, in our interview.

Iulia Greco, Your new song “The Air of Freedom” is released these days: has the cruel pandemic inspired you, in some way, with this song of yours?

The song was born in the summer of last year, after a heavy period for the whole world. The pandemic and all that followed undoubtedly awakened something very deep in me, leading me to recognize reality with greater clarity. “The Air of Freedom” is an outlet, but at the same time it is a hymn to rediscovering ourselves.”

Are you also working on a new album?

“Currently, with Visory Suisse, we are working on a permanent project, which will include composing several songs. At the moment, I can only say that there will be a way very soon to paint a more complete ‘portrait’ of artistic maturity.”

Where did you develop your musical style? Are you still in the romantic phase or is the call of rock music a “clatter” in you?

“Let’s say the call of rock has always ‘gurgled’ in me, but romance often mirrors me the same way, periodically. I must admit I’ve been searching for the right size for me for years, and now I’m finally feeling myself. I’ve also worked a lot on my voice, as I found different sounds and frequencies in them, on a musical level.Moreover, I entrusted myself to my producer, Alessandro Sayani, with whom we immediately entered into an artistic “symbiosis”.

Speaking of music, but also love in general, do you think the audience’s musical tastes veer towards more committed themes, or do neo-melody songs defend their space?

“I have noticed that the musical language is becoming, on the one hand, more and more ‘direct’, but on the other hand, I think a little bit of poetry is lost. At the same time, I think a lot of people are looking for something more difficult. Of course, it’s hard to express. About complex concepts, in a world where information is rapidly circulated and computed.”

What do you think of this airy and elusive “piece” from the Actor List, which has become this year’s tagline? Are there songs for all situations, or are some musical combinations vaguely more fortunate than others?

“You just have to find the right ‘tone’ and the simple phrase, like ‘flower, heart, love’ and that’s it: That’s what music experts have told me for a lifetime. So, I think the ‘list actor’ was very good and smart.”

Let’s talk a little about you: even in love, do you breathe the “air of freedom”?

“The air of freedom was born from a private encounter, with the person who inspired me to realize the song. I can only say that I am very lucky to breathe an air of freedom every day.”

Don’t you think the emotional realm should be tested differently today? Especially to avoid disappointments or turbulent relationships, which often involve a waste of time?

“I believe that love should live with all its might and that disappointments are a part of life and that personal growth helps us perceive pain differently. Personally, I am not afraid of suffering, but I feel nothing: only indifference stifles the soul.”

Interview by Vittorio Lusana

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Sleek and intense bob ~ Spettacolo Periodico Daily

Fina Rose

Fina Rose is an energetic and charismatic artist, with a recognizable voice like a painter’s style. One of those who do not need to overdo it and who with a few well-aimed brush strokes creates a masterpiece.

Music printing comes in pretty early, thanks to your parents.

“They are both musicians. Just thinking that when my mom was pregnant, she and dad used to hang out in the evenings. Let’s talk about the 80s. At that time, concerts of RAI artists were opened when they came to Sicily and Calabria. I also have many uncles who sang and played when they came to Sicily and Calabria. They were young, and my brother also plays and sings, in addition to doing many other things. We can say that I was born into music.”

With a family like this, your family was almost a must.

“My parents didn’t force me to pursue a career in music, but they supported me when I decided to go down this path. They were a great support and still are today, which is why I consider myself lucky.”

At a certain point in your career, after collaborating with the likes of Giorgia, Bocelli, Alexia and several participations in TV shows and radio broadcasts, you move to London. What motivates you to make this choice?

“I wanted to leave my comfort zone, ask myself as an artist and do my own work. I wanted more. I knew I had reached certain levels, but I also knew I couldn’t rise to a higher level. I knew that, going this way, I was going to crash By a different reality, but I had an artistic and creative need that pushed in that direction. I wanted to expand the circle of things I knew that didn’t give me the opportunity to grow.”

And what did you find on the other side of the veil?

“It was a very positive experience. Just think about when I debuted in 2019 with my first single [Breathe Again, ndr]And It made more noise in England than it did in Italy. And I think the reasons, in addition to the English text, are the phonetic appearance and the impressive research work. She worked hard in the studio to give the songs a unique look and the reception was the best. The reviews were great. Unfortunately, while promoting my EP [Crossroads, ndr]We went into lockdown and everything stopped. I had many dates, many concerts. At the time I was on tour here in England and was very happy with the way things were going. Not so now. thanks for the cute denial I’m taking back that segment of the audience that I lost a little bit by staying away from TV.”

on cute denialWhen the song goes into the chorus, it’s as if she’s listening to a pop that Michael Jackson never forgot. Your other songs also sound the same: modern, elegant, delicate, and powerful all at the same time.

“I’m glad to hear that, also because Michael Jackson is one of my references. With cute denial That personal voice I’ve been talking about before that you’ll hear in the future is defined even more specifically in the songs I’m working on. I make very conscious choices, which craft alternative pop music that is more and less obvious than radio songs that you accidentally listen to and then forget. What I listened to were songs with meanings and implications that express my energetic soul.”

The soul you show on stage Marino’s tongue. How did you decide to participate in the competition and with what awareness do you receive the competition?

The occasion happened to me during Christmas time last year. One of the organizers, whom I met at Sanremo Rock, sent me a message: ‘Would you like to participate in Marino’s tongue? ‘I wanted to expand the audience to an international market, and then I really wanted to sing live, so I said yes right away. I obviously didn’t think I’d get into the Grand Final, but I would have liked to. I gave up my art and felt happy on stage. I did not experience competition anxiety. It was good regardless of the outcome. I knew victory would be almost impossible, especially after learning about Achille Lauro’s participation. His victory was almost a foregone conclusion, and the cards were completely open. I am proud of my sixth place, which I got without management support or company registration.”

Is Lauro’s victory in terms of image more than substance?

“If you run a competition in which emerging artists also participate, you either don’t enter such an important name or you make it known from the start. That way everyone is aware and plays on an equal footing. Also because the big guys go straight to the final, while we do the whole process. But if we talk about opportunities. I would do like him. I have the possibility of going to Eurovision, what do I do, should I not take it? However, if we talk about the content, it is so far from me that I can not make a comparison. Achille Lauro is a character. She is gossip, provocative and has a pleasant stage presence. Acknowledging these advantages. So I understand they’ve sufficed the image.”

We talked a little about cute denial Which, speaking of contents, is a very rich piece. It is no coincidence that you chose her for the contest.

cute denial I wrote it a few years ago. When I had the opportunity to contest, I immediately thought: “This is a song that can work.” Given how active it was, it seemed to fit in a box like the Eurovision one. The song is about an emotional addiction. He describes the inability to deny a strong attraction to someone who is emotionally unavailable and doesn’t know how to live love in a healthy way: “gentle denial” to which I compare putting your hands in flames.”